Bill Moss had long been interested in designing instant shelters that could house survivors of natural disasters. He believed his goal of making large shelters in small containers in the smallest amount of time was the perfect solution for getting survivors the shelter they needed, especially in areas that could not be reached by ground vehicles. Why not drop the shelter and supplies out of the sky?
What the Hell is a Pop-Tent?
From a brochure designed by Bill Moss in the 1950s. #tbt
And a promotional photo of the Pop-Tent itself near the Huron RIver in Ann Arbor, Michigan.
Jack Larsen & Bill Moss Collaborate at LongHouse Reserve in East Hampton, NY
Textile designer, Jack Larsen, and Bill Moss collaborated on outdoor garden designs and sculptures at Larsen's LongHouse Reserve in the mid-1970s. Below is Bill's Fleur de Lis fabric sculpture in situ.
There is a terrific article on LongHouse Reserve by Emily J. Weitz in in the New York Times (4/12/15)
And below is Dale Chihuly's wonderful Cobalt Reeds, currently on view.
Sightings of Bill Moss: Fabric Artist & Designer
Friends recently spotted the book at the Museum of Modern Art in New York and MASS MoCA in North Adams, MA. Thanks for sending the photos!
Wouldn't Bill Moss Be Pleased?
While not at all Bill's design, it was certainly his concept.
http://designtaxi.com/news/373877/IKEA-Starts-Producing-Flat-Pack-Durable-Shelters-For-Homeless-Refugees/?utm_source=DT_Newsletter&utm_medium=DT_Newsletter&utm_campaign=DT_Newsletter_250315&utm_term=DT_Newsletter_250315&utm_content=DT_Newsletter_250315
Thread: A Cultural Center & Artists' Residence in Senegal
Designed by award-winning New York architect, Toshiko Mori, Thread is one of the first art centers in Senegal outside of the capital, Dakar. The roof is made of local grass thatch and bamboo and the walls are of locally made mud bricks.
The Guardian, March 21, 2015
The Moss Op 200: An Inside View
The comfortable living area of the Op 200.
Bill Moss at Work
Bill sits at his drafting table in West Rockport, Maine, with a cardboard model and one of his many sketchbooks. #tbt
On the South Pole
The Moss Op 200 on an expedition at the South Pole.
Two Encores
Two Encores at base camp during a 1984 American Expedition on Gasherbrum IV.
Happy Holidays to One and All!
Expedition to Ama Dablam in the Moss Olympic, 1987
We have recently returned from Nepal and I wanted to tell you how much we enjoyed using Moss tents on our expedition to Ama Dablam. While we did not reach the summit, we got very close and your tents played a critical role in our achievement.
We left the United States on September 5 and arrived at Ama Dablam base camp (16,500 feet) on September 25. We pitched our two Moss Encores as well as several wall tents used and supplied by our trekking agency staff.
Upon reaching the ridge crest where we hoped to find a large snow platform, we found a knife edge instead and resolved that a major excavation of a campsite was necessary. Two days later, we had a 5-by-15-foot ledge chopped out of rock and ice cliff. This became our Camp 1 at 19,300 feet. We eventually set up two Moss Olympics on the ledge and tied them into the slope with fixed line.
After climbing another 21 technical pitches consisting of 5.10 rock and Grade IV ice, we reached the shoulder just 1,500 feet below the summit. As with Camp 1, locating a suitable site for Camp 2 was proving difficult and we left all our makings for the second camp (a Star Dome, stoves, food, hardware, etc.) hanging from a piton at our highpoint. It was here that it began to snow. [The storm] lasted three days, the second of which it snowed 6 feet. The upper camp had to be abandoned and the storm eventually destroyed all but our Moss base-camp tents, buried equipment, and spelled defeat for our expedition.
We were in serious trouble. We sent our two Sherpas to the nearest village in order to recruit porters. We waited for four days before beginning our hike out. The snow had consolidated somewhat but still we were post holing in thigh-deep snow. After five hours and having only gone a mile, I felt we were at the end of our rope. It was than that I saw our Sherpas returning with a large group of porters. It was like seeing the cavalry coming over the ridge. They eventually got to us and helped us carry our equipment to a lower elevation and out of the mountains.
I don't believe we could have accomplished what we did on Ama Dablam without Moss tents. The Encores were suberb base-camp tents; very roomy and bright. The tight confines of Camp1 made the Moss Olympic the perfect tent. We also found that the shape and flexible poles allowed the tent to spill wind. We have nothing but praise for the Olympic.
Steve Davis, Deputy Leader, American Ama Dablam North Ridge Expedition, 1987
an excerpt from Bill Moss: Fabric Artist & Designer by Marilyn Moss
CHRISTMAS SALE!!!
Now through December 24, 2014, Bill Moss: Fabric Artist & Designer is on SALE!
Mt. Rainier to Korea
[Hong Jin Kim saw his first Moss tent in 2005 while visiting Mt. Ranier.]
At first site, I would say that I fell in love with it and decided to talk to the guy who was camping with it, to sell it to me. I know it sounds crazy and I don't even know what sort of courage that was, but we made a deal and a couple of days later, I was on a plane back [to Korea] with my Moss tent....
I liked Moss tents so much because of the philosophy that blended its design, the great quality fabric and versatile usability. I didn't have an idea howw much effort or energy might be needed to create such a great tent back then. But as I studied more about traditional architecture, the way to design shape from pure nature, and various tent fabrics, I started realizing that all these Moss tents are the result of on great mind on this planet.
Hong Jin Kim, Korea, 2012
A Moss Exhibit
A custom Moss nylon exhibit with aluminum, shock-loaded tube framework.
The Moss Fome-Cor Paradome
The 50-foot Fome-Cor Paradome was filled one day in the late 1960s with all the ingredients for a Maine lobster bake.
Moss Tent Works, Camden, Maine.
Marilyn and Bill Moss stand under the first company sign, "Tent Works," which included an old Singer sewing machine.
Nostalgia: Autumn and the Family Eave Tent
A family tent based on the Eave design and made of blue poplin.
A Moss Encore at Sunset...
Camping the Cordillera Vilcanota
David Blehert and Debbie Koehn camped in a Moss Olympic during their trip to the Cordillera Vilacanota in Southern Peru.